{"id":889,"date":"2022-05-30T14:52:27","date_gmt":"2022-05-30T17:52:27","guid":{"rendered":"https:\/\/nami.omodelodesite.com.br\/who-we-are"},"modified":"2025-01-21T15:49:14","modified_gmt":"2025-01-21T18:49:14","slug":"who-we-are","status":"publish","type":"page","link":"https:\/\/redenami.com\/en\/who-we-are\/","title":{"rendered":"WHO WE ARE"},"content":{"rendered":"\t\t
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During the Covid-19 pandemic, 4 women were killed every 24 hours. (Brazilian Public Safety Forum, 2020).\n<\/div><\/div><\/div><\/div>
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In 2020, murders of LGBTQIAP+ people in Brazil increased by 24,7%. (Brazilian Public Safety Forum, 2021)\n<\/div><\/div><\/div><\/div>
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70% of firearm assault victims in 2019 were black women. (Sou da Paz Institute, 2021).<\/div><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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In 2004, artist Panmela Castro was beaten and kept in unlawful imprisonment by her then partner. After she was rescued by her family, she pressed charges at the Women\u2019s Police Station. At the time, however, domestic violence was considered a misdemeanor, and her aggressor faced no punishment.<\/span><\/p>

In 2004, artist Panmela Castro was beaten and kept in unlawful imprisonment by her then partner. After she was rescued by her family, she pressed charges at the Women\u2019s Police Station. At the time, however, domestic violence was considered a misdemeanor, and her aggressor faced no punishment.
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Because she was stalked by her ex-partner, the only way she could go out and feel protected was by joining graffiti artist groups. In an artistic process of becoming, moving through the city, she rebuilt her life. Panmela had already been using her art to address social issues when in 2008, after hearing about the approval of the Maria da Penha Law (2006), she developed a methodology of using graffiti as a communication tool, to inform women and young students about the law, domestic violence, and their rights.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Her ideas gained worldwide proportions, and her extensive work was supported by many other women, who then formed Rede NAMI in 2010. With a trajectory of over 10 years, NAMI directly impacts the lives of more than 10.000 people in Rio de Janeiro, mainly black women. NAMI also promotes structural changes in society by using art as a communication tool, so that more people are informed about how to fight for their rights, and build a more just society.<\/span>
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In recognition of all the work done these years, NAMI was honoured by the 12th UNE Biennial (2021), awarded by The WE Empower UN SDG Challenge – Vital Voices (2021), made the finals of the Atitude Carioca Awards in the \u201cWho does it differently\u201d category (2021), and was also shortlisted for the 3rd seLecT Art and Education Awards (2020). In 2018 NAMI received a visit from Malala Yousafzai, the activist for women\u2019s rights to education, and the youngest person to have ever received the Nobel Peace Prize. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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What do we
believe in?<\/br><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tWe believe in gender,
race and <\/br> ethnic equality by law
and in society.<\/br>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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This is the principle on which NAMI\u2019s policies are based. We propose to seek to overcome the inequalities which, for example, have led to one femicide case every six and a half hours in Brazil alone (Brazil Public Safety Forum, 2020). We demand respect for the rights of women, black people, LBGTQIAP+ people, people with disabilities, and indigenous peoples, including control over their own lives and a break with the historic legacy of oppression in the personal, economic, political, and social spheres<\/span><\/p>

The epistemicide and the structural erasure of these groups have resulted in low or non-existent participation in decision-making processes in our society and on our planet so far. We believe that once we have access to spaces of power, we can contribute to a future that will be more sustainable and fair for all.<\/span><\/p>

It is our mission to include women, black people, LGBTQIA+ people and other marginalized groups in spaces of decision-making and power, to write and rewrite history, considering the sustainability of our planet and our future from a much more inclusive perspective.<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\tWHAT DO WE DO?\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t
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\n\t\t\t\t\t\t\t- We write and rewrite history through decolonial perspectives, which include women, black people, LGBTQIAP+ people, people with disabilities, and indigenous peoples, as well as foster and promote their rights through the arts.\n\n


- Actions that promote the anti-racist struggle and the end of domestic violence;<\/br><\/p>\n\n- We strengthen feminist leadership in urban culture, and insert and document black protagonists in history;\n\n


- We stimulate the creative economy for the economic autonomy of women and marginalized groups.<\/br><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\tHOW DO WE DO IT?\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t
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\n\t\t\t\t\t\t\t- Implementing educational programmes in arts and human rights;\n\n


- Organizing exhibitions and public murals;<\/br><\/p>\n\n- Financing the production of artworks through a decolonial framework;\n\n


- Documenting and preserving art production by women, trans people and travestis, black artists, indigenous artists, and people with disabilities, in printed and online publications, and in physical collections.<\/br><\/p>\n\n- Working directly with 4 of the 18 Sustainable Development Goals of the UN 2030 Agenda, to act in parallel on urgent global issues.\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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WHO MAKES NAMI WORK<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Panmela Castro<\/h3>

President and Founder<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Carollina Lauriano<\/h3>

Vice-President<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Artha Baptista<\/h3>\nGeneral Director\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Ana Luiza Marques<\/h3>

Consulting Director<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BOARD<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ademar Britto Jr<\/h3>\n

Doctor and Curator<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Adriana Mota<\/h3>

Sociologist and Pedagogue<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Giselle Arruda<\/h3>\n

Designer<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Jandira Queiroz<\/h3>

Journalist<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Keyna Eleison
<\/span>Curator<\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Lorraine Mendes<\/h3>

Researcher and Curator<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Lucia Xavier<\/h3>

Social Worker<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Marina Sidrim Teixeira<\/h3>

Sociologist<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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P\u00e2mela Carvalho<\/h3>

Educator and Researcher<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Priscila Rooxo
<\/span>Artist<\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Roberta Holiday<\/h3>

Artist<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Tamy Reis<\/h3>

DJ and Communicator<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Vulcanica Pokaropa<\/span><\/h3>

Travesty, Circus and Visual Artist<\/p>

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During the Covid-19 pandemic, 4 women were killed every 24 hours. (Brazilian Public Safety Forum, 2020). In 2020, murders of LGBTQIAP+ people in Brazil increased by 24,7%. (Brazilian Public Safety Forum, 2021) 70% of firearm assault victims in 2019 were black women. (Sou da Paz Institute, 2021). In 2004, artist Panmela Castro was beaten and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-889","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/redenami.com\/en\/wp-json\/wp\/v2\/pages\/889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redenami.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/redenami.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/redenami.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/redenami.com\/en\/wp-json\/wp\/v2\/comments?post=889"}],"version-history":[{"count":15,"href":"https:\/\/redenami.com\/en\/wp-json\/wp\/v2\/pages\/889\/revisions"}],"predecessor-version":[{"id":3514,"href":"https:\/\/redenami.com\/en\/wp-json\/wp\/v2\/pages\/889\/revisions\/3514"}],"wp:attachment":[{"href":"https:\/\/redenami.com\/en\/wp-json\/wp\/v2\/media?parent=889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}